lørdag 17. januar 2015

New art store

I set up shop at Redbubble. There you can purchase posters, mugs and other things with my art on it.

mandag 5. januar 2015

Bimbofink

Ed "Big Daddy" Roth is my personal Jesus.

mandag 29. desember 2014

Anthropophagous 2000

After a career consisting of mostly comedic splatters such as the ridiculous Violent Shit films and the even more insane Nikos The Impaler, german gore guru Andreas Schnaas decided to make an attempt at a serious horror film. A remake of the notorious 80’s video nasty Anthropophagous by the legendary trashploitation master Joe D’Amato.

The movie follows a group of germans on vacation at the italian countryside. When their car breaks down, they attempt to seek help at a nearby village. The place turns out be deserted, and filled with mutilated corpses. They soon discover to their horror that a deranged blood-drinking cannibal with a nasty case of skinrash is roaming the area, killing everything in sight. Alongside this story, we get brief glimpses from time to time of the killer’s past.


Much like most of Schnaas’ previous work, the film is a shot on video cheapie cast with mainly amateurs. The direction is nothing spectacular or ground-breaking, most of the effort seems to have gone into the special effects department. Schnaas’ best talent is putting together so bad it’s good gore scenes where he goes all the way. This man literally has no restraint when it comes to gore. Heads get ripped off, people get disemboweled, impaled or dismembered to the point where the body looks like roadkill. The infamous abortion scene from the original is recreated of course, with the b-movie feel cranked up to the max. If you thought it wasn’t possible to make infanticide funny, then film will prove you wrong.


While the film is ineptly directed, acted and filmed in almost every possible aspect, I have to give Schnaas kudos for trying his best to make a good horror film. While he wasn’t successful, I can definitely see that the effort was made. There are attempts at horror and suspense here. The film tries to keep the killer mysterious, not revealing his face until the end. (So why put the guy's face on the f-ing cover then?)

It isn’t easy for anyone to make a full-length feature when you have no resources or professional crew members. The man’s films is hated by everyone and their grandma, most likely don't make much money, but he never gives up. All his determination and persistence is quite admirable.

I can see that the director wanted to tell a dark and grim story about the loss of humanity and how gruesome and brutal nature can be, particularly in the flashbacks. The killer was originally a father and husband who was forced to eat his wife and child when he got lost at sea. All the months of isolation, boiling heat and traumatic losses turned him insane. A pretty tragic and gruesome fate. The kills are very savage and brutal as well, illustrating how inhuman and primitive the killer has become.

However, the cheesy and over the top gore effects create a jarring juxtaposition that make it impossible to take the film seriously. It lowers the quality, but increases the entertainment value. Overall, it is a well-paced and highly entertaining film, even if it is for the wrong reasons. I have always liked his films, cause despite the low quality, they are never boring. The man delivers gore, sleaze and trash by the bucketloads and always leaves me wanting more.

onsdag 17. desember 2014

Judge Death animation test

A short video of Judge Dredd's nemesis with animation and voice acting by yours truly.



Death's voice was a bit of a challenge. He had to sound inhuman and ghoulish, but at the same time you had to hear clearly what he's saying.

I do hope we get an animated Judge Dredd series or movie someday. The fancartoon "Superfiend" was decent, but I would like to see something more serious and more true to the source material.

torsdag 28. august 2014

Pauline and Igor

Character designs for "Sick in the head"

lørdag 2. august 2014

Terror Of The Undead reviewed.

Petar Gagic, better known as The Cine-Masochist is a reviewer who specializes in giving obscure B-movies more recognition. I asked if he could take a look at my comic which resulted in this:


torsdag 17. juli 2014

Squeak the mouse review (And the possible inspirations for Itchy & Scratchy)

Okay, time to try something new. I have been playing with the idea of reviewing lesser known and bizarre comics and films for some time now. And I guess today is as good day as any to give it a try. Let's see how this goes and if it's something people wanna see more of.

For years I have had a morid fascination with Itchy & Scratchy. The hyper-violent cat and mouse cartoon from The Simpsons. Basically, it’s Tom and Jerry if directed by a splatter movie director. These two are some the shows oldest recurring characters, dating all the back to the Tracey Ulman days and have become nearly as popular as the Simpsons family themselves.


In the early days of the internet, my fascination for this violent duo drove me to searching high and low for any information about them. One site in particular I recall was a site listing Itchy & Scratchy’s possible inspirations. Aside from the obvious Tom & Jerry I recall it mentioned Herman and Katnip, Kit ’n Kaboodle and Squeak The Mouse.

Well, I have now finally seen all the above examples and while this was primarily going to be about Squeak, there's no harm in sharing my own thoughts on the others



Herman and Katnip was a fairly generic Tom & Jerry imitation. Most of the cartoons dealt with a somewhat dim-witted cat chasing a group of mice. But they are always rescued by their cousin Herman, a resourceful city mouse with a Brooklyn accent.
This one has actually been confirmed by David Silverman to be one of the inspirations for Itchy & Scratchy. It’s also been said to be very violent for it’s time. This baffles me, as I have now seen all of the H&K cartoons and none of them are really any more or less violent than your average Tom & Jerry or Looney Tunes cartoon. The closest thing to an exception I could find was a scene where Katnip gets split in two with an axe. But without blood or pain, there’s no real sense of brutality. And thus making it no more violent than anvils to the head or other typical cartoon slapstick.

Next on the list is Kit ‘n Kaboodle. A cat and mouse comic from a old issue of National Lampoon Magazine. The story deals with the Sylvester recolor Kit chasing a group of mice and causing lots of carnage.
This one seems much probable for being a inspiration for Itchy and Scratchy. The leader mouse even wears a blue west(Itchy switched back and forth between wearing a blue and orange west in the early seasons) and there’s blood and death. The carnage is caused by chainsaws, piranhas, knives and gunshots to the head. All which Itchy and Scratchy also ended up using. For more, visit The United Provinces of Ivanlandia. They have scans of the whole story.

And at last we have Squeak the mouse.
A 80s underground comic which took the bloody cartoon mayhem to a whole other level, exceeding even Itchy and Scratchy.
The comic features the mouse Squeak as he tries to escape the clutches of unnamed black cat. After suffering though several beatings, the cat actually succeeds in killing the mouse.

But hold on, we’re not done yet. Up until the mouse’s death, the comic hasn’t been that much gruesome. Except for a explosion turning the cat into a skeleton the violence hasn’t been much worse than regular cartoon slapstick.

The comic consists of several parts, or “sequels” if you will. Each taking place right where the previous one left off. And in part two we get gore by the bucketloads. The mouse turns out to be nearly unkillable, his remains reanimate and seek out the cat for revenge. The cat has attended a party filled with horny drunks who have sex. The mouse goes on a slasher movie-style rampage, massacring all the party-goers until only the cat is left. But is once again killed by the cat. Or so it seems.  


In the next part, the party victims become zombies (cause why the hell not?) and try to kill the cat. He barely survives this ordeal as well, taking down all of them until only the mouse is left which once again fails in completing his task. This time being reduced to goop.


The final part has the cat visiting a pool party. It then turns into a orgy so sexually explicit even Robert Crumb would tell the creator to tone it down. The mouse returns from the grave as usual, this time as a slime monster. And rip the cat’s girlfriends to bits. The cat manages to blow up the house, killing the mouse for good.

And thus ends probably the most messed up story I have seen in my life. And that comes from someone who have seen all the Violent Shit movies! It started out decent, but quickly became more and more and more nauseating and grotesque. Not sure how to describe this mess, a funny animal comic written by Patrick Bateman? The weird combination of pornography and extreme violence sure made it feel something like that.

The art style is simple but very reminiscent of golden age cartoons like the works of Fleischer Studios and Tex Avery.
It also seems to take place in some kinda of Roger Rabbit-type universe where animated and live-action characters coexist. As there are times when the cat watch horror films which are illustrated with movie stills pasted into the comic, adding another unique feature to this already bizarre story. Speaking of Roger Rabbit similarities, this comic also features cameos by famous toons such as Mickey, Donald, Felix the cat and Tex Avery’s wolf character. (Was this guy ever given a real name?)

It also made me think that one of the reasons that stuff like Itchy and Scratchy or Fritz the cat is so fascinating(At least back in it’s day) was that they took something cute and innocent like funny animal cartoons and corrupted it with gore or sex. Resulting in a freaky yet original combination that people weren’t used to seeing. And in my case is probably the reason why I was drawn to that stuff.

I suppose it can be linked to the old tradition of looking at roadkill, it is weird and grotesque and yet you can’t take your eyes away from it.

But now things like I&S and Fritz have themselves become tame thanks to shows like South Park and Superjail, which continue to push the limits more and more with each episode.

In the case of Squeak however, it is still pretty weird and deranged even compared to todays standards. As I have yet to see any comic or cartoon with a combination of gore and obscenity more insane than what was in that book.

But that’s not all folks. There is a second issue of Squeak The Mouse.